Oscar wilde s moving essay
After creating the painting of Dorian Gray, Basil realizes that he has put too much of his personal feelings and emotions into the painting. He does not want society to understand his personal insecurities through his art. Similarly, Oscar Wilde puts too much of himself in his art and has to defend himself to society. Though Wilde attempts to appear unaffected on the surface, he truly cares about others opinions of him. He preaches aestheticism and attempts to claim that an artist can not be understood through their work. Art does not require a spiritual component.
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Irish wit, poet and dramatist whose reputation rests on his comic masterpieces Lady Windermere's Fan and The Importance of Being Earnest He was a spokesman for Aestheticism, the late19th-century movement in England that advocated art for art's sake. However, Oscar Wilde's takeoff of his enterprise and, his shaping of his characteristic. Among all modern literary criticism, spatial theories lead critics to understand the relationships among nature, individuals and society through a multi-dimensional perspective.
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The philosophical foundations of Aestheticism were formulated in the eighteenth century by Immanuel Kant, who spoke for the autonomy of art. Art was to exist for its own sake, for its own essence or beauty. The artist was not to be concerned about morality or utility or even the pleasure that a work might bring to its audience.
This is a significantly revised version of the article that first appeared in the January issue of The Nineteenth Century. Wilde presents the essay in a Socratic dialogue between with Vivian and Cyril, two characters named after his own sons. According to Vivian, the decay of Lying "as an art, a science, and a social pleasure" is responsible for the decline of modern literature, which is excessively concerned with the representation of facts and social reality.
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